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Springfield, May 15th, 1928 |
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| My dear Sir, | ||||||||||||||||||
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Your note is just received. Although, I am suffering, today, with one, of my severe headaches, by way of relieving your mind, hasten to reply. I understand your confusion--in time you will come to understand. (10) Four decades passed, from my last trip to Springfield, before any one took interest in me. I was a forgotten soul, and then, over a three-year period, a series of publications, and events revived my lost memory. You must read these publications with due haste. (11) 1925--William E. Barton published The Life of Abraham Lincoln, in which he re-examined my insanity trial. 1926--My son, Robert Todd Lincoln, died in July. 1927--William E. Barton published The Women Lincoln Loved, in which he asserted the most perfidious lies. 1927--Myra Helmer Pritchard, the granddaughter of a guardian spirit, fought unsuccessfully to publish The Dark Days of Abraham Lincoln's Widow, as Revealed by Her Own Letters. 1928--Katherine Helm, the sweet and genteel daughter of one of my half-sisters, Emilie Todd Helm, published The True Story of Mary, Wife of Lincoln. 1928--Honoré Willsie Morrow published the praised Mary Todd Lincoln: An Appreciation of the Wife of Abraham Lincoln. 1928--Ida Tarbell wrote two widely read articles in the Ladies' Home Journal in February and March titled: Mary Todd Lincoln: Wife of Abraham Lincoln. And, even in your day, there is another forgotten soul, Mr. Francis Bicknell Carpenter. I first met him February 6, 1864--he always had the reputation of being a very honest man. I always felt great pride, in the success of his great painting the "Emancipation Proclamation." In 1865, he asked to paint my portrait, but, I had to decline for my nervous state, at that time, made it impossible for me to sit for a photograph. I would have liked to have obliged him. Instead, I referred him to the excellent painted likeness of me at Brady's in N.Y., taken in 1861, and enclosed herewith. In truth, he had already painted my likeness on two previous occasions. (12)
I know, the above will be perplexing, but a storm is brewing on the distant horizon, a storm of money and greed. An artistic conspiracy is taking place and, I only pray, you will return good for evil. I will help you, and steer your life accordingly, but the days' work will be yours. I know I can trust your benevolent soul to assist my needs with these circumstances. Praying you will excuse, my troubling you, so much, on a subject, that is of such vital importance to us. (13) |
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I remain very truly ML |
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Editors' Note:
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Mathew Brady "Mary Lincoln"
1861 |
Francis Carpenter "First
Reading of the |
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10/15/65 Dear Mrs. Lincoln, I thank you for the reading list you sent in your last letter. I also read up on Francis Carpenter. I had no idea he completed one of our country's most famous works. I showed the image to numerous friends. Everyone knew the painting; no one knew the artist. I still don't understand what this has to do with me and
I'm not sure what you are talking about concerning "money
and greed." I'm just an art history student at a small Wisconsin
college. What "artistic conspiracy" are you talking
about? Sincerely, Barry Bauman
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Notes: 10. Your note...reply. Turner. p. 304. Letter to David Davis. 12/13/1865. 11. The four decades concept taken from Neeley/McMurtry. p.123. 12. Carpenter records this date in Carpenter. p. 8. The reputation...man. Turner. p. 366. Letter to Simon Cameron. 5/19/1866. I always..."Emancipation Proclamation." Turner. p. 278. Letter to Francis Bicknell Carpenter. 7/17/1865. My nervous state...1861. Turner. p.283. Letter to Francis Bicknell Carpenter. 11/15/1865. Carpenter requested a photograph of Mary Lincoln for he often used them as references for his portrait work. 13. I only pray...evil. Turner. p. 50. Letter to Emilie Todd Helm. 9/20/1857. Praying you...us. Turner. p 300. Letter to Elihu B. Washburne. 12/9/1865. |
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